Thursday, January 29, 2026

Steven Seagal: A Complicated Legacy Worth Reconsidering

 

Steven Seagal is a well-known action star, to say the least. 




You might know him from:

  • Under Siege (1992) - Probably his most iconic, the Die Hard on a battleship one
  • Under Siege 2: Dark Territory (1995) - Die Hard on a train
  • Hard to Kill (1990) - "Anybody seen Richie?"
  • Above the Law (1988) - His debut film
  • Marked for Death (1990) - Fighting Jamaican drug dealers
  • Out for Justice (1991) - Brooklyn cop hunting his former partner
  • On Deadly Ground (1994) - The one I just watched
  • Executive Decision (1996) - The one where he famously dies early
  • The Glimmer Man (1996) - Buddy cop film with Keenen Ivory Wayans
  • Fire Down Below (1997) - Environmental action thriller

  • You might even know him for the controversial show, Steven Seagal: Lawman. It ran on A&E from 2009-2014.


    I'll admit I lost interest in Seagal over the years. He's made numerous questionable claims, particularly that he ran a dojo in Japan. 


    The dojo in Juso is thirty minutes from my house, and I know for a fact he never ran it. He trained there alongside his ex-wife, Miyako Fujitani-sama, whose family owns it, but it was never his. You can read about how disrespectful he was to Fujitani-sama here. It's worth noting that their children, Ayako Fujitani and Kentaro Seagal become actors and have had good careers.

    That said, as a kid, I deeply respected Seagal: studying martial arts partly because of him. 


    And growing a ponytail like his while sporting various tangzhuang in public (blue, red, and black kung fu uniforms), but luckily, I grew out of that phase.



    Seagal represented something important to me then: a bridge between Eastern martial arts philosophy and Western willpower.

    Recently, I watched On Deadly Ground (1994), and at the end, Seagal delivers a speech about environmental destruction, corporate greed, and our responsibility to the planet. It's passionate, prescient, and honestly moving. Thirty years later, everything he warned about has only gotten worse.

    Hearing his speech reminded me, despite his flaws, Seagal does have a genuine heart for certain causes. He cared deeply about the environment when it wasn't trendy. He brought legitimate aikido to mainstream audiences. Seagal wasn't perfect, but he was worth respecting as both a thinker and a martial artist.

    So, I'm sharing his speech below. 

    Love him or hate him, the message deserves to be seen again and again until people get it.





    Steven Seagal's Speech from "On Deadly Ground" (1994)

    "How many of you out there have heard of alternative engines? Engines that can run on anything from alcohol to garbage and water? Or carburetors that can get hundreds of miles to the gallon? Or electric or magnetic engines that can practically run for ever?

    You don't know about them because if they were to come into use, they'd put the oil companies out of business. The concept of the internal combustion engine has been obsolete for fifty years. But because of the oil cartels and corrupt government regulations we, and the rest of the world, have been forced to use gasoline for over one hundred years.

    Big business is primarily responsible for destroying the water we drink, the air that we breathe and the food we eat. They have no care for the world they destroy. Only for the money they make in the process. How many oil spills can we endure? Millions and millions of gallons of oil are now destroying the oceans and the many forms of life it supports. Among these is plankton, which supplies 60 to 90 percent of the earth's oxygen, which supports the entire marine eco-system which forms the basis of our planet's food supplies. But the plankton is dying.

    I thought well, let's go to some remote state or country, anywhere on earth. But in doing a little research I realized these people brought their toxic waste all over the world. They basically control the legislation, and in fact they control the law. The law says that no company can be fined over $25,000 a day. For a company making $10 million a day by dumping lethal toxic waste into the ocean it's only good business to continue doing this.

    They influence the media so that they can control our minds. They make it a crime to speak out for ourselves. And if we do so, we're called conspiracy nuts. We're laughed at. We're all angry because we're all being chemically and genetically damaged, and we don't even realize it. Unfortunately this will affect our children. We go to work each day and right under our noses we see our car and the car in front of us spewing noxious and poisonous gasses that are cumulative poisons. These poisons kill us slowly, even when we see no effect.

    How many of us would have believed if we were told twenty years ago that on a certain day we wouldn't be able to see fifty feet in front of us? That we wouldn't be able to take a deep breath because the air would be a mass of poisonous gas? That we wouldn't be able to drink out of our faucets, that we'd have to buy water out of bottles? The most common and God given rights have been taken away from us. Unfortunately the reality of our lives is so grim nobody wants to hear it.

    Now I have been asked what we can do. I think we need a responsible body of people that can actually represent us, rather than big business. This body of people must not allow the introduction of anything into our environment that is not absolutely biodegradable or able to be chemically neutralized upon production. And finally, as long as there is profit to be made from the polluting our earth, companies and individuals will continue to do what they want. We have to force these companies to operate safely and responsibly, with all our best interests in mind, so that when they don't we can take back our resources and our hearts and our minds to do what's right."






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    Monday, January 19, 2026

    January 19 Birthday Club

     January 19 is my birthday, and it turns out I share it with a ridiculously awesome lineup.








    We’re talking:



    Dolly Parton (b. 1946)

    A singer-songwriter, performer, and cultural figure with a prolific career spanning decades.

    Known for: 


    • Songs like Jolene and 9 to 5

    • Narrative songwriting rooted in class, labor, and dignity

    • Philanthropic work, including the Imagination Library


    Her work combines clarity, generosity, and sharp social insight, balancing accessibility with enduring thematic depth.


    Janis Joplin (1943–1970)

    A groundbreaking blues-rock vocalist known for raw emotional expression and vocal intensity.

    Associated with: 


    • Big Brother and the Holding Company

    • The Kozmic Blues Band

    • Songs like Piece of My Heart and Cry Baby


    Her performances foreground vulnerability and emotional risk, prioritizing authenticity over control or polish.


    Katey Sagal (b. 1954)

    An actress and musician known for portraying emotionally resilient women shaped by experience rather than idealism.

    Notable roles include:


    • Married… with Children (Peggy Bundy)

    • Futurama (Leela)

    • Sons of Anarchy (Gemma Teller Morrow)


    Her performances often center on endurance, wit, and hard-earned authority.


    Dōgen (1200–1253)

    A Zen monk and philosopher, and the founder of Sōtō Zen in Japan.

    Best known for: 


    • Shōbōgenzō (Treasury of the True Dharma Eye)

    • Essays on time (uji), practice, and language





    His writing reframes enlightenment as lived practice, emphasizing repetition, attention, and presence in everyday action.


    There are more writers: 

    Eden Robinson (b. 1968)

    A Haisla and Heiltsuk novelist and short-story writer from Canada, Robinson is best known for the Trickster trilogy, beginning with Son of a Trickster.

    Her work blends:


    • Indigenous identity

    • Dark humor

    • Intergenerational trauma

    • Myth woven into modern realism




    Her voice is sharp, intimate, and deeply rooted in Pacific Northwest Indigenous life.


    Edwidge Danticat (b. 1969)

    One of the most respected contemporary literary voices writing about diaspora and memory.

    Her books—Breath, Eyes, Memory, The Farming of Bones, Brother, I’m Dying—explore:

    • Haitian history and exile

    • Family, loss, and inherited trauma

    • Political violence and survival


    Danticat’s prose is quietly devastating, emotionally precise, and deeply humane.


    Julian Barnes (b. 1946)

    A Booker Prize–winning novelist (The Sense of an Ending) and one of Britain’s most intellectually playful writers.


    His work is known for:

    • Unreliable memory

    • Time and regret

    • The slipperiness of truth

    Barnes writes novels that feel deceptively simple but linger long after you finish.


    Margaret George (b. 1949)

    A master of epic historical fiction, especially biographical novels told in immersive first-person voices.

    Notable subjects include: 


    • Henry VIII

    • Cleopatra

    • Mary, Queen of Scots

    • Helen of Troy

    Her books are meticulously researched and emotionally grounded.



    Patricia Highsmith (1921–1995)

    One of the most influential psychological crime writers ever.


    Creator of Tom Ripley, she revolutionized suspense by:

    • Centering morally ambiguous protagonists

    • Making empathy deeply uncomfortable

    • Removing clear lines between villain and hero


    Her influence runs straight through modern noir, literary thrillers, and prestige crime TV.



    Nina Bawden (1925–2012)

    A beloved British author of both children’s and adult fiction.


    She wrote with:

    • Psychological insight

    • Emotional realism

    • Respect for young readers’ intelligence



    Carrie’s War remains a classic for its honest portrayal of childhood during wartime Britain.


    Edgar Allan Poe (1809–1849)

    A poet, short-story writer, and critic whose work shaped modern psychological fiction.

    Key contributions include: 


    • Psychological horror and unreliable narrators

    • Early detective fiction

    • Poems such as The Raven



    His stories focus on obsession, guilt, and mental collapse, locating meaning in psychological residue rather than external action.


    That’s a stacked room. I’d show up early just to listen. Poe and I have so many things in common

    that I should write a poem just about them.

    __________________________________________

    Let me count the ways:


    We arrived on the same day,

    January nineteenth,

    as if the calendar had a preference.


    We share a middle name,

    tucked quietly between first and last,

    doing more work than it gets credit for.


    We share the same tired eyes—

    they’ve already seen what the room 

    is pretending not to show.


    We build stories errily similarly:

    voice first,

    behavior second,

    precision always.

    Plot can will come, we promise.


    We care about what lingers.

    Not the bang,

    moreso the echo.

    Not the spectacle,

    the stain it leaves behind.


    We write under pressure

    when the damage clarifies.

    I wrote one hundred thirty-seven thousand words in a month.

    He wrote like someone racing the dark.


    We both carry haunted pasts—

    instead of decoration,

    as weather coats.


    When language fails us,

    we don’t explain.

    We stage the scene

    and let it breathe on its own.


    So far, the world knows us through short stories,

    tight spaces,

    compressed truths,

    nothing wasted.


    And then there’s my name:

    Bertram—

    bright,

    famous,

    raven.


    Some birds circle graves.

    Some circle memory.

    __________________________________________

    What gets me is how I really gel with these thinkers. They went for voice, aftermath, and whatever lingers once the big moment passes.


    Poe cared about what happens to a mind once it can’t escape itself. His stories live in obsession, guilt, and the slow unraveling after the damage is done.


    Patricia Highsmith did something just as unsettling: Tom Ripley survives moral collapse with disturbing ease and takes the reader along for the ride.


    Julian Barnes keeps poking holes in memory until it stops pretending to be reliable. Edwidge Danticat writes with a restraint that somehow hits hard anyway. Eden Robinson mixes humor, myth, and pain, and no sanding anything down. Margaret George climbs inside history and lets ambition and regret feel alive. Nina Bawden trusted young readers with emotional truth long before anyone called that “brave.”


    Then there’s the non-writers.


    Janis Joplin sang without the need for an emotional safety net below her. Dolly Parton built an empire by being sharp, generous, funny, and painfully honest about class, work, and dignity, while people kept underestimating her. Katey Sagal made a career out of playing women who’ve been through it and came out tougher, wiser, and still standing.


    And Dōgen? He fits better than I’d realized.


    He wrote that rather than practice leading to some awakening, it is awakening. No finish line. No payoff episode. Just showing up, again and again, and paying attention to what’s actually happening.

    Plus, you might’ve noticed that I’m a martial arts fan based on my other blogs. But you probably never knew that I studied two kinds of karate and TKD, trained in Wing Chun, practiced Tai Chi on my own for over twenty years, and even taught judo as an assistant coach in Oita, Japan, for a year.

    That said, it turns out a surprising number of martial artists were born on this day. By my count, 283. To name a few:

     

    Ken Shamrock (1964)

    "The World's Most Dangerous Man"
    Ururahy Rodrigues (1978)
    "Big Brazilian Samurai"
    Conor Heun (1979)
    "Hurricane"
    Stephen Thompson (1983)
    "Wonderboy"
    Shizuka Sugiyama (1987)
    "Shiyan"
    Bec Rawlings (1989)
    "Rowdy"
    Andrea Lee (1989)
    "KGB"
    Megan Anderson (1990)
    Olena Kolesnyk (1990)
    "Cannon"
    Petr Yan (1993)
    "No Mercy"
    Roosevelt Roberts (1994)
    "The Predator"
    Movsar Evloev (1994)
    Sabrina Oliveira (2003)
    "Demétrio"



































    And while Edgar Allan Poe is a close second, my little bro, Robbie's kid, Leona, who was born on this day five years ago, is easily the most awesome member in my book.


    So yeah, January 19 is arguably the ultimate birthday club.


    It’s for people who:

    •  care about what happens after the event
    • don’t trust memory to behave

    • sit with discomfort instead of smoothing it over

    • value voice more than performance

    • and leave something behind that sticks

    • fighters


     I’m grateful to share the date.


    If you’re going to have a birthday, you could do a lot worse than this crowd.

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